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About Velorex Music

An online record store for India, built around Hindi film music on vinyl — soundtrack LPs from R. D. Burman, Laxmikant–Pyarelal, Nadeem–Shravan, Anu Malik and A. R. Rahman, new pressings and hand-checked pre-owned copies alike.

Every listing shows its label, year and track listing, and orders ship across India with tracking.

New to collecting? Read the Velorex Journal The Evolution of Music & Audio How shipping works

Feel the music More than music Care · Preserve · Play

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Keep the music alive. Care for what you love.

Rediscover timeless melodies. Explore our curated collection of records, CDs, cassettes and films from legendary artists and iconic films.

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    Combo Offers

    Bundles we put together because they belong together — a record and the kit to keep it clean, or two timeless favourites from the same era.

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    Great music lives on

    Pre-owned

    Second-hand vinyl, CDs, cassettes, Blu-rays and DVDs — every copy checked and graded before it ships.

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    The story of music technology

    A Journey Through Music & Machines

    From the earliest recording devices to today's streaming world, discover how the machines and formats we use to experience music have evolved.

    1877 – todayThe span
    Cylinder to streamThe journey
    Sourced & citedEvery claim
    Before the playlist

    Remember When Music Felt Different?

    Before streaming, listening was an activity rather than a background condition. It had steps, and the steps were part of it.

    • You chose a record.
    • You cleaned it.
    • You placed the needle.
    • You adjusted the amplifier.
    • You pressed play on a cassette.
    • You waited for the radio.
    • You built a CD collection, one at a time.

    These machines didn't just play music. They sat in particular rooms, in particular years, and they ended up carrying the memory of whatever was happening while they played.

    Music Changes. The Memories Stay.

    Every format on this page was once the newest thing there was, and every one of them was replaced. What has not changed in a hundred and fifty years is the part underneath: the wish to hear something again, to keep it, and to play it for somebody else.

    Explore Music at Velorex
    Music out of the air

    Radios

    1920s onwards

    A gramophone plays what you own. A radio plays what is being sent, right now, to everyone within range. That difference — shared, continuous, and free once you had the set — is what made radio the first mass medium for music.

    Origin

    The technology arrived before the idea. Wireless transmission was well understood as a way of sending messages between two points; broadcasting deliberately to an unknown audience was the genuinely new thought.

    Westinghouse was granted the first US broadcasting licence on 27 October 1920 for the station KDKA in Pittsburgh, which began scheduled programming with the Harding–Cox presidential election returns on 2 November 1920.

    The detail that says most about the era: results were telephoned over from a newspaper office and read into a microphone, and between them, someone played a phonograph into that same microphone to fill the gaps.

    How it worked

    A transmitter takes an audio signal and rides it on a much higher-frequency carrier wave. The receiver does the reverse: it tunes to one carrier out of the many arriving at the aerial, strips the carrier away and leaves the audio behind.

    Tuning is the part everyone remembers physically. Turning the dial retunes a circuit so it responds strongly to one frequency and weakly to its neighbours — which is why stations arrive gradually, why they drift, and why you could sometimes hear two at once.

    Valves did the amplifying for the first few decades, which is why early sets are warm, heavy, and need a moment before they make a sound.

    The golden years

    For roughly three decades the radio was the largest piece of furniture in the room and the reason people sat together facing the same direction. Programming was scheduled, so listening was scheduled too.

    Transistors changed the shape of it. A set that ran on a small battery and fitted in a hand could go to the beach, into a bedroom, onto a building site — and radio stopped being something a family did together and became something a person did alone.

    Radio also decided what became popular. For most of the twentieth century, whether a record sold depended heavily on whether it was played on air.

    What came next

    FM brought better fidelity and, eventually, stereo, which is why music migrated there while speech stayed comfortable on AM. Later, radio became a feature inside other things — the car dashboard, the hi-fi tuner, the clock by the bed.

    Streaming has taken much of the function, but not all of it. A station still offers the one thing an algorithm imitates rather than provides: somebody choosing.

    Names that mattered

    Listed because of what they did, not as recommendations. Velorex Music did not make any of these.

    WestinghouseLicensed KDKA in 1920 and effectively started scheduled broadcasting in the US.
    PhilipsA European mainstay in receivers from the valve era onwards.
    SonyBuilt its early reputation on transistor radios that made listening personal and portable.
    Marantz, Sansui, PioneerThe separate FM tuner became a serious hi-fi component in its own right in the 1970s.

    Did you know?

    • KDKA transmitted its first scheduled programme at 100 watts — less power than many kitchen appliances.
    • That first broadcast ran roughly eighteen hours, from a wooden shack on the roof of a Westinghouse plant.
    • The station traces back to 8XK, an experimental amateur station licensed to Westinghouse engineer Frank Conrad in 1916.
    • Early listeners often used headphones rather than a loudspeaker, because the signal was too weak to fill a room.

    Remember this?

    The radio is the machine people remember as a sound rather than an object: a kitchen in the morning, a workshop, a car on a long road. It asked nothing of you. You turned it on and something was already happening.

    Sources & further reading

    Written from these sources, not copied from them. External links open in a new tab.

    From the record room

    Velorex Journal

    Notes on vinyl, Hindi film music and the records worth collecting.

    Article

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