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A suitable boy Vinyl Record - 2 LP set - Numbered Limited Edition

A suitable boy Vinyl Record - 2 LP set - Numbered Limited Edition
by Alex Heffes, Anoushka Shankar
A Suitable Boy – The Score The score was composed by Alex Heffes with Anoushka Shankar, a world-renowned sitar player. Previously paired on Mira Nair’s 2016 Disney Film Queen of Katwe, Alex knew how important the music score is to her. Says Alex of his work with Mira “Music flows throughout Vikram Seth’s book so we discussed very early on how to tie the original score into the very authentic music world of India that had been captured on screen and how to create a musical language for the score that weaves between the world of Classical Indian music and the world of film music… careful consideration was given to how to integrate orchestra into the Indian musical world, often having to learn to follow the phrasing and bending of the sitar.” In search of character’s music themes, Alex arranged experimental sessions with some of the UK’s best classical Indian performers, combining tabla, mridangam, kanjeera, ghatam and many other percussion instruments with bansuri (Classical Indian flute), tanbura and the sitar. Early on, the decision was made that the sitar would be Lata’s ‘voice’. For Kabir they used the bansuri, played by acclaimed indian performer Ashwin Srinivasan and for the character of Amit, the solo violinist Philippe Honoré provided the musical voice. For suitor number three, Haresh, a variety of pitched Indian classical percussion such as clay pots, mangeera (hand cymbals), ghungroos and morsing (jaw harp) was employed, played by percussionist Sanket Naik. Says Mira Nair “The three of us (Mira, Anoushka and Alex) approached several Indian artistes. Ashwin Srinivasan, the great flautist, plays throughout the soundtrack. Namit Das, who also acts as Haresh Khanna in A Suitable Boy, is an extraordinary singer who composed the boatman’s song as the lovers crossed the Ganges. Gagan Dev Riar, who also acts in A Suitable Boy, made a beautiful song of longing for the widow in the village scenes. We were lucky to get the great maestro, Ustad Shujaat Husain Khan, the son of the legendary Ustad Vilayat Khan, to perform ‘Jhinjhoti’ and ‘Khamaj’ on screen in two concerts. The syncretic nature between traditional Indian sound and the Islamic influences that had arrived through Iran, Turkey, and Pakistan, which was then called India; all of this confluence can be experienced in the music of A Suitable Boy.”
Track Listing
Side A
- A1 Prologue
- A2 Lata’s Theme
- A3 Your Sister, My Brother
- A4 You Too Will Marry A Boy I Choose
- A5 Lutf Woh Ishq Mein
- A6 Mehfil Barkhaast Hui
- A7 Smitten Kitten (Meenakshi’s Theme)
- A8 Holi
- A9 Quegdevelim Sunset
- A10 No Time, Lover, Or Friend
- A11 Raag Khamaaj
Side B
- B1 There Is No Harm In Dawn
- B2 The Floating Temple
- B3 Pillow Talk
- B4 Let’s Go Away / I Never Want To See You Again
- B5 Na-Rawa Kahiye
- B6 What Happened & Maan Delirium
- B7 Muddat Hui Hai
- B8 Kabir’s Letter
- B9 Unsuitable Tango
- B10 The Railway Theme
- B11 One Loves You
- B12 Your Parakeet Is Well?
Side C
- C1 Are You Making Fun Of Me?
- C2 Farewell To Rasheed
- C3 Are Your A Lipstick Girl?
- C4 Are We French Now?
- C5 Dil-E-Nadaan
- C6 Make Lata Love Me
- C7 I Can Make Any Shoe
- C8 Think Beyond Your Friends
- C9 Fluke Of A Catch
- C10 Christmas In Prahapore
- C11 Free India’s First Election
- C12 Raag Jhinjhoti
Side D
- D1 Raag Lalit
- D2 Maan In Turmoil
- D3 Loss
- D4 The Fever Bird
- D5 Maan In Prison
- D6 An Unfortunate Accident
- D7 Love Has Run His Course (Mehfil Barkhaast Hui Duet)
- D8 A Suitable Boy
- D9 Lata Chooses Her Suitable Boy
- D10 Monkey Wisdom
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A Journey Through Music & Machines
From the earliest recording devices to today's streaming world, discover how the machines and formats we use to experience music have evolved.
Remember When Music Felt Different?
Before streaming, listening was an activity rather than a background condition. It had steps, and the steps were part of it.
- You chose a record.
- You cleaned it.
- You placed the needle.
- You adjusted the amplifier.
- You pressed play on a cassette.
- You waited for the radio.
- You built a CD collection, one at a time.
These machines didn't just play music. They sat in particular rooms, in particular years, and they ended up carrying the memory of whatever was happening while they played.
Music Changes. The Memories Stay.
Every format on this page was once the newest thing there was, and every one of them was replaced. What has not changed in a hundred and fifty years is the part underneath: the wish to hear something again, to keep it, and to play it for somebody else.
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